Lynchburg Concerts Presents
Blue Ridge Rock Festival
Scott Stapp: The Voice of CREED, Everlast, Drowning Pool, Twiztid, Dope, Sick Puppies, ADEMA (Original Lineup Reunion Show), Saliva, Ill Niño, Trapt, Texas Hippie Coalition, (Hed) P.E., Moonshine Bandits, Orgy, Saving Abel, Crazy Town, Tantric, Blaze Ya Dead Homie, FLAW, Whitney Peyton, Almost Kings, Something Clever, Media Downfall, Razorz Edge, Hardrive, HATEFUL BONES, Demyze, GypsyRoad, Shun The Raven, LNV
Doors: 11:00 am / Show: 12:00 pm
$10.00 - $189.99
This event is all ages
Central Virginia's Rock Festival!
30+ Bands | Beer, Bacon, & BBQ | VIP Experiences | Energy Zone | Local Vendors | Whiskey
- Scott Stapp will perform All the Hits from his band CREED - Live with an All-Star Configuration.
- All Sales are Final. Due to the High Volume of Ticket Sales for this Event, there will be No Refunds or Exchanges. This Event Will Sell Out.
- Due to Venue Laws, there will be No Outside Food or Drink Permitted. Bags are Permitted, but will be Subject to Search at Festival Entry.
- General Admission Ticket Pricing: Tier 1 - $29.99 | Tier 2 - $39.99 | Tier 3 - $49.99 | Gate (if available) - $70 -- **Please Note: There is NO DIFFERENCE in General Admission Ticket Tiers, other than Price. More Info in the General Admission Ticket Section Below.**
Questions? Email Us: Info@LynchburgConcerts.comhttp://www.lynchburgconcerts.com/event/1482416/
30+ Bands | Beer, Bacon, & BBQ | VIP Experiences | Energy Zone | Local Vendors | Whiskey | The First 2,000 Tickets JUST $29.99!
Grammy Award Winning Singer • Frontman for One of Most Successful Rock Bands of All-Time • Over 50 Million Albums Sold • Nine #1 Singles
It's not easy to find a success story as genuine as Creed's in popular culture these days when considering all of the carefully scripted rises to glory and the falls that inevitably follow careers built on hype. If any band in recent years can claim to have ascended strictly on its own merits, it's Creed. This Florida-based band went from zero to sixty, (or, more accurately, from zero to selling more than twenty million albums) by virtue of a combination of finger-on-the-pulse songs and powerful live performances. Their debut album, My Own Prison, has sold over six million albums to date. Creed's sophomore effort, Human Clay, debuted at #1 on the Billboard charts and has gone on to sell more than 10 Million copies. The band's third release, Weathered, also debuted at #1, selling more copies in its first week than any other rock release in 2001, and tying the record for the longest run at the top following a #1 debut.
"With My Own Prison, I knew we had the talent to get a record deal and I knew we had songs good enough to get played on the radio, but I never had any expectations of reaching this many people," says Creed's frontman Scott Stapp.
Nonetheless, the band's success has been truly phenomenal. Creed was the first band in history to have four #1 Rock Radio singles from a debut album. On the strength of their singles, including the crushing title track and the more pensive "What's This Life For," Creed topped countless year-end charts and was recognized as the Rock Artist of the Year at Billboard's 1998 Music Awards. Their debut album was also the #1-selling Hard Music album of 1998 on SoundScan's Hard Music chart.
With the release of their second album, Human Clay, Creed upped the ante yet again. "Higher," the first single from their 10-times platinum sophomore release, broke the Active and Mainstream Rock airplay records for the most consecutive weeks at #1, holding the coveted spot for eighteen weeks. Furthermore, Creed was recognized once again as the Rock Artist of the Year at Billboard's 1999 and 2000 Music Awards. Human Clay 's first three singles ("Higher," "What If" and "With Arms Wide Open") again achieved #1 status, setting a record with a total of seven consecutive #1 Rock Radio singles.
"We're the type of band that functions really well under pressure and the only pressure that we recognize is our own. We definitely wanted to top ourselves [after the My Own Prison album]," says Stapp. "We wanted to make a really great record. The band's goal has always been to make records that are solid from start to finish; records that take you through an entire range of emotions." Guitarist / co-writer Mark Tremonti added, "We always kept in mind that we had to write for ourselves because as long as we are proud of it, our fans will be as well. We try not to set any other goals above and beyond that." While Stapp grants that the band's increased resources had some impact on the structure of Human Clay, it's clear that Creed's evolution is far more than just a matter of dollars and cents.
Once again, Creed has returned with an album of songs that collectively offer the listener a passionate journey of emotive energy. Tremonti and Stapp's collaborations stand among the select few that seem to effortlessly draw the listener in and truly move the spirit through the simple art of expression. The lead single, "My Sacrifice," opens with a signature Mark Tremonti guitar intro and then envelops the listener with the mood and power no other band today commands.
For Weathered, Creed once again turned to longtime friend and producer John Kurzweg to ensure that they captured the anthemic guitars, dramatic vocals and bold lyrics that have made the band's brawny-yet-intimate sound a radio staple for several years. The band also decided to invite Kirk Kelsey, their longtime live sound engineer, to co-produce the new material. Together with Kurzweg and Kelsey, Creed recorded the new album in a home studio just outside of Orlando. Drummer Scott Phillips commented, "We've done our previous two albums in home studios and have felt that this is our best creative environment where we can feel comfortable and creative as a band." Guitarist Mark Tremonti performed all of the bass guitar tracks on Weathered and a few special guests made passionate contributions to the album. On "Don't Stop Dancing," the band was joined by the Tallahassee Boys' Choir and Amie Stapp. Regarding his sister's appearance on the album, Stapp noted, "I had been looking for a female vocalist for awhile and it dawned on me that I didn't need to look any farther than home." On "Who's Got My Back?," vocalist Bo Taylor, an archivist at The Museum of the Cherokee Indian, makes a special appearance on the invitation of Creed. Taylor mentioned, "I really like Creed's music because they are asking questions that all human beings should ask as they look outside of themselves. Music touches people and Scott contacted me to celebrate where he originally came from and to reconnect with his ancestry. It speaks volumes about his character that he reached back and made this statement and it means a lot to me personally that he did this."
"I think my lyrics are very direct and understandable," says Stapp. "People can relate to that, so that's something I didn't want to move away from. At the same time, we're a little bit older and more mature now and we've been through a lot in the past few years, so we are looking to put things across in a way that reflected that." Co-writer Mark Tremonti added, "We wanted to take our sound and expand on it. I think Weathered is the most diverse, dynamic record we have written to date."
Creed's reputation for dynamic and passionate live performances has led to consistently sold-out shows. Over the past four years the band has played to more than four million fans worldwide. "We were out on tour for a long time and wherever we went, there were people telling me how much certain songs meant to them and how they felt so close to them," says Stapp. "That means more to me than any other kind of attention. It's important to feel as if you're doing something worthwhile and in this band, with Mark and Scott, I feel like I am." On a similar note, drummer Scott Phillips added, "Our success has been dictated by the fans. They are the most important thing in the band's life. The three of us feel blessed to have such a great following of people. It's amazing to me when I sit behind the kit during a show and see the passion and emotion displayed by the audience."
In January 2002, Creed embarked on a world tour that will bring them to over one million fans throughout the year. The year began with a trek across North American arenas in January, after which they touched down in Australia and New Zealand in July. The band will then return to the U.S. for a Summer / Fall stadium tour. When asked before the tour about his feelings on getting back on the road and in front of the band's fans, guitarist Mark Tremonti replied, "Personally, I can't wait to get back on tour. It is something I truly enjoy and can't live without. It has been too long since we played a full blown show." Scott Phillips mentioned, "It's been over a year since we've had a chance to perform in front of a crowd. Our experiences in previous years have been amazing and we can't wait to continue that feeling."
In 2000, Creed's presence on television and their impact on end-of-year award shows were undeniable. The band released their VH1 Behind The Music special, taped and released VH1's Storytellers with The Doors and garnered numerous awards. In November, Creed earned two awards at the Radio Music Awards and the fans bestowed four awards on the band at the My VH1 Awards. They also received the award for Rock Artist of the Year, for the third year in a row, at the Billboard Awards in December. The writing team of Mark Tremonti / Scott Stapp kicked off 2001 by winning a Grammy Award for the band's composition, "With Arms Wide Open," a deeply personal song that was inspired when Stapp learned he was going to become a father.
Stapp is also continually besieged with requests to help with a variety of fund-raisers and charities and helps whenever and wherever he can. He has started his own charity, the "With Arms Wide Open Foundation" in an attempt to help underprivileged children and to be able to give something back to the communities that have supported Creed.
Everlast then returned to his solo career. While recording Whitey Ford Sings the Blues, however, he suffered a massive cardiac arrest stemming from a congenital defect, resulting in heart bypass surgery and an artificial valve implant. Following his recovery, he completed the album, which appeared in the fall of 1998 to strong commercial notices. It entered the Top Ten, went platinum, and launched the pervasive Top 40 single "What It's Like." After appearing on Santana's vaunted comeback album Supernatural, Everlast began work on a follow-up album with an eclectic group of guest artists. Titled Eat at Whitey's, the album was released in late 2000, and enjoyed critical notice (even if it wasn't quite as succesful as Whitey Ford). Everlast then signed with Island/Def Jam before releasing the the moody, song-driven White Trash Beautiful in 2004. The album featured a strong country influence, but its new sound failed to boost Everlast's record sales. He was dropped from the label soon after, but Everlast bounced back by joining his House of Pain alums in a hip-hop supergroup named La Coka Nostra. The group released several recordings via MySpace in 2008; that same year, Everlast issued his fifth studio album, Love, War and The Ghost of Whitey Ford, on his own label. The album featured a cover of Johnny Cash's "Folsom Prison Blues," which Everlast released as a single.
The platinum-plus conquerors from The Lone Star State deliver their heaviest batch of hell raising anthems, each burning with fiery adrenaline destined to light the radio ablaze and ignite crowds into impassioned sing-alongs. Only a few seconds into the album’s first single, “By the Blood,” it’s evident that Hellelujah is the most aggressive, ambitious, and truly definitive Drowning Pool album since Sinner, the platinum platter that gave the world Top 20 rock radio hit “Tear Away” and the massively successful “Bodies.”
It doesn’t get more brazenly defiant than Drowning Pool Hellelujah bangers like “We Are the Devil,” “Goddamn Vultures,” or “Push”: forward thinking modern rock anthems incorporating classic elements of brutal grooves with melodic power that never once sounds weak. C.J. Pierce’s guitar work is devastatingly crunchy yet dynamically colorful, locking in perfect sync with the charging rhythms of fellow cofounders Stevie Benton on bass and Mike Luce on drums, as Jasen Moreno’s vocals forge venom and bile into hooks.
Drowning Pool have scorched the stage alongside a who’s-who of genre legends, upstarts and everything else on the spectrum, including Ozzy Osbourne, Mötley Crüe, Papa Roach, System Of A Down, Kiss, Korn, Sevendust, Seether, Hellyeah, P.O.D., Five Finger Death Punch, Black Label Society and stints on Ozzfest with Metallica, Rob Zombie, and Marilyn Manson.
Each of Drowning Pool’s last three albums debuted in the Top 5 on Billboard’s Hard Rock chart, cementing the legacy established by their legendary platinum debut, Sinner, which the band celebrated with a 13-year anniversary special edition and tour. Moreno’s massive pipes enabled him to quickly master Drowning Pool’s dense catalog when he became the band’s frontman in 2012. From his reverent delivery of the late Dave Williams mosh-pit ready lyrics in the ubiquitous signature hit “Bodies” to his powerful take on Top 5 Active Rock hits like “Step Up” from Desensitized (2004), “37 Stitches” from Full Circle (2007), and “Feel Like I Do” from their self-titled album (2010). As Revolver Magazine noted in their detailed review of Resilience (2013): “Drowning Pool continue to produce consistently killer albums with an unmistakable sound.”
Hellelujah (2016) is unfiltered and uncompromising, representing a band free to say, play, and do what they please, thanks to the unending support of their fans. Their shared loyalty, drive, and passion resulted in what Moreno describes as a “bad attitude record,” an album that pulls no punches with inspired confrontation. Producer Jason Suecof (All That Remains, Trivium, Demon Hunter) was the perfect man to capture the blend of metallic roots and instantly memorable choruses, riffs, and wickedly upfront lyrical assaults.
Drowning Pool songs conjure emotions that deeply connect with those who persevere against the odds and sacrifice to survive, whether it’s a military soldier serving overseas, or a blue-collar family trying to make ends meet. Their music transcends boundaries of race, class and lifestyle as well, resonating with people from all walks of life who look to music to get them through life’s challenges. The band’s Texas-sized crunch and gregarious, charismatic personalities catapulted them to platinum status and hard rock royalty in the early 2000s alongside contemporaries like Disturbed, Godsmack, and Slipknot. They’ve toured with Ozzy Osbourne. They regularly perform for U.S. Troops, traveling as far as the war zones of the Middle East to the outposts of Southeast Asia. They personally encouraged then-Senator Barack Obama to push through the Lane Evans Health Act, which improved healthcare for veterans.
Big sonic slabs of muscular power with a taste of the dark melodies of post-grunge remain Drowning Pool’s stock and trade. Their music is an unapologetic celebration of life’s joy and pain, able to swiftly maneuver between defiant declarations of resistance. Each distinctive era of the band’s history is represented onstage, where the band bashes through an arsenal of anthems all delivered with precision strength. The Hellelujah songs (with more contributions from all four members than ever) pulse with the power of all that’s come before and a reinvigorated hunger for the future. Drowning Pool celebrate the past while firmly focused on the present, coalescing into a brightly lit artistic future.
The band was founded by song writer and lead singer Edsel Dope in 1997. As a child Edsel and his brother, Simon Dope, were separated when their parents divorced. When the two were adults, they reunited and Simon joined Edsel's band, playing keyboards. The pair then recruited Tripp Eisen as bassist, Preston Nash as drummer, and Sloane Jentry as guitarist.
Unlike many of the popular bands from the 1990s, Dope derived their sound from influences taken from hard rock bands and fused that with the sound of Industrial rock acts which had made waves earlier in the decade, such as Nine Inch Nails and Ministry, as well as Industrial music act Skinny Puppy.
In their earliest days, the band sold drugs to survive and purchase instruments Furthermore, the name "Dope" refers to drugs and drug culture, as shown by their early T-shirt designs which prominently displayed hypodermic needles, it as well refers to Edsel and Simon's last name.
The band also had some early connections with fellow Industrial rockers Marilyn Manson; drummer Ginger Fish shared an apartment with Edsel Dope in Las Vegas during the earlier 1990s, before either of them were in their respective bands. Also guitarist Zim Zum allowed the band to claim that they were "currently being produced by Zim Zum" on the cover of their promotional discs to help them gain a record deal. It was originally planned that Zum would produce their debut, however he was busy recording the album Mechanical Animals at the time. Lead singer, Edsel, has obtained a good friendship with ex-Manson guitarist Daisy Berkowitz.
- Felons & Revolutionaries -
Felons & Revolutionaries was created after performing onto the New York City club circuit, and releasing several promotional cassettes the band was signed by Epic Records. For the album's recording Sloane Jentry had left the band and Tripp Eisen moved to guitar, Acey Slade was brought in on bass. The album featured fourteen tracks including two covers, which were; "Fuck tha Police" by N.W.A. and "You Spin Me Round (Like a Record)" by English new wave band Dead or Alive, which featured in the movie American Psycho. Debonaire was also featured on the Scream 3 movie soundtrack and the first The Fast and the Furious movie during the raid on the house scene.
Dope put everything into touring in support of the album, taking part in several national tours with various acts ranging from Alice Cooper to Kid Rock. This helped "Felons and Revolutionaries" SoundScan more than 250,000 units in total.
A live video for the song "Sick" was recorded to capture the energy of the group's live show. The first single and non-live promotional video released by the band from the album was Everything Sucks, which failed to chart. The second single -- a cover of You Spin Me Round -- saw the band gaining more attention; it received radio play and reached #37 on the US Mainstream Rock charts.
- Life -
After the relative success of their debut album, Dope decided to record a follow up entitled Life. Several band changes had taken place once more; Tripp Eisen left the group to join Industrial metal band Static-X. Acey Slade was moved up to the position of guitar, while Sloane Jentry (who had remained friends with the band) rejoined this time on bass. On drums Preston Nash was also replaced by Racci "Sketchy" Shay.
The two singles from Life; Now or Never and Slipping Away reached #28 and #29 on the Mainstream Rock charts respectively. The album itself reached #180 on the Billboard charts and #6 on the Top Heatseekers, which up until that point was the band's highest charting. After the album's release, Simon Dope left the group to pursue a career as a video game producer.
Debonaire from the first album was used in the movie The Fast and the Furious. More soundtrack work was done by Dope in 2002, as the band recorded WWE chairman Vince McMahon's theme song "No Chance (In Hell)" for the WWE Forceable Entry audio release. Previously Dope's music had been used as the background theme in ECW, also Rhino used their song "Debonaire", as his entrance theme.
Around this period, Edsel Dope also had a public rivalry with the band Murderdolls (particularly vocalist Wednesday 13). An early version of that group had featured Racci Shay on drums; and under the name Murderdolls, it featured Tripp Eisen. Dope guitarist Acey Slade then left the band to join Murderdolls in mid-2002.
- Group Therapy and American Apathy -
Disappointed with the label's perceived lack of promotion for the album, the band left Epic and joined Artemis Records, a New York independent record label. Rhythm Guitarist Virus, would now act as Lead Guitar in Slade's departure, he would contribute to the songwriting significantly.
Dope's third studio album was titled Group Therapy, it was innovative in that it also featured a video for each song; meaning in total those who purchased the album received thirteen audio songs and videos. One song from that album, Today is the Day served as the official theme song for WWE's pay-per-view event No Mercy in October 2003. The songs Falling Away, Bitch, Motivation, Burn, and So Low were featured in the video game; MTX Mototrax, in both full and instrumental versions.
American Apathy-era Dope: Racci Shay, Virus, Edsel Dope and Brix Milner
By 2005 Dope had regrouped once more, the band had a new bassist; Brix Milner. For their new album entitled "American Apathy", the band returned to a harder sound similar in some respects to their debut, in an Industrial metal style. Amongst the 14 tracks present was a cover of Depeche Mode's People Are People.
Although released eight years after the band formed, four albums in and on an independent label, American Apathy performed well in the charts. It was a #1 hit on the Top Heatseekers chart, for the first time in the band's history and it also saw the band's highest charting on the Billboard chart to date.
Ironically, Ben Graves of the Murderdolls joined Dope as the live drummer on a tour of Japan. In fact that wasn't the only inter-group mixing between the two bands; in 2006 Brix Milner filled in for the injured Kid Kid on bass, in Murderdolls front man Wednesday 13's solo band.
Edsel Dope and Virus became involved in an Alternative pop rock side-project with Edsel playing drums, called Makeshift Romeo. This also saw Edsel removing his dreadlocks which he had worn all throughout his time with Dope.
- Current and future events -
Dope has finished their spring tour of the United States, the tour, which took place over two months, included 22 dates. Tripp Lee played live on bass with the band (although Brix is still listed, and seems doubtful that he will return) and a new drummer named Angel, formerly of Pig and The Genitorturers has joined.
The band are currently working on their fifth album, entitled No Regrets. The band also recently recorded audio and video during a number of performances on tour that they are putting on the DVD portion of the new album. According to Metal Underground, No Regrets has been pushed back, with no set date.
It was announced on October 15, 2008 that the first single from No Regrets is called "Violence". The song is currently available to listen on the band's MySpace. There will be a music video, for "Violence", according the image the band set for album art. One of the tracks for the album was released in late 2007 in the game, Guitar Hero III: Legends of Rock. Guitar Hero III includes a song by Dope called "Nothing for Me Here" on the bonus list and mentions that it will be on the band's upcoming album.
In concert, Dope has stated that their new album is finished, but they need to make sure they "will get paid for it before releasing it".[cite this quote]
On July 29, 2008, Dope released American Apathy Reloaded—a CD of remixes and alternate versions of songs from American Apathy, plus a live DVD.
Virus, the lead guitarist, has a job at the Paul Green School of Rock, Fort Washington as a guitar/bass teacher. He gives Lessons to kids 8-18 on how to play well and get to where he is.
Virus has begun to produce up-and-coming bands, as well.
The band was formed by singer/lead guitarist Shimon Moore and bassist Emma Anzai in the music room of Mosman High School in 1997. The band, co-founded in 1999 by Moore and Anzai while still in high school, signed to Paul Stepanek Management, soon after they rounded out their line up by adding Orange County, California-bred drummer Mark Goodwin, who they met through a classified ad following their move to LA in 2006. Soon after, they signed to Paul Palmer’s indie label through Virgin Records. Later members included Chris Mileski (initial drummer) and Mark Goodwin (present drummer).
Saliva's current lineup includes original members Dave Novotny (bass), Paul Crosby (drums), and Wayne Swinny (guitar). Bobby Amaru joined Saliva in 2012 as their new vocalist. Amaru hails from Jacksonville FL, where he has been a prominent vocalist/musician/producer/songwriter for the past decade. He was the frontman of his solo band, Amaru, in addition to the drummer for Burn Season, who were signed to Elektra Records in 2001. In February 2012, Saliva released their first single "All Around The World" featuring their new singer. Their talent and raw energy makes for an explosive combination, which is reflected by the band's live show - what Saliva refers to as their "secret weapon". Catch them live and see for yourself...!
Ill Niño was founded in 1998 by drummer Dave Chavarri and released a 4 song demo that year with Jorge Rosado (formerly of Merauder) on vocals and Cristian Machado playing bass. The next year, they parted ways with Rosado, and started looking for a new vocalist, but ultimately decided that the best decision was for Machado to step up to vocals. El Niño then changed their name to Ill Niño, released an EP in 2000, and signed with Roadrunner Records shortly thereafter.
Ill Niño released their debut album, Revolution Revolución, on September 18, 2001. In support of the album's release, the band was part of the Ozzfest and Jägermeister tours in 2002. The album's single, "What Comes Around," received significant airplay on MTV2 and on the Active Rock charts. In early 2003, right before Ill Niño was set to record the follow-up to Revolution Revolución, Ill Niño parted ways with guitarist Marc Rizzo and percussionist Roger Vasquez. Rizzo stayed aboard long enough to record some of the guitars for the new album, and then the band hired percussionist Danny Couto to replace Roger Vasquez. Shortly before the release of Confession, the band also hired Ahrue Luster, formerly of Machine Head, to fill the vacant guitar spot.
In 2002, the band's vocalist Cristian Machado performed on Soulfly's song 'One', off the band's third album 3, sharing lead vocal duties with Max Cavalera.
Confession, was released on September 30, 2003. The album debuted at No. 37 on the Billboard 200 charts. The lead single, "How Can I Live," featured on the Freddy vs. Jason soundtrack, and was subsequently their first single to break into the Billboard charts, peaking at No. 26 on the mainstream rock charts. The album had sold more than 110,000 copies in the US within its first five months of release.
The band's third effort, One Nation Underground, was released on September 27, 2005. The album debuted at No. 101 on the Billboard 200 charts, and struggled to sell as well as its predecessor Confession. The band announced they had parted ways with Roadrunner Records on July 15, 2006.
Nine days later, it was announced that Ill Niño had signed new deal with the recently formed Cement Shoes Records. Drummer Dave Chavarri stated that their split from Roadrunner was "amicable" but felt that they weren't getting the proper attention and support from Roadrunner they had received on their past two releases. Somewhere in this time period, for reasons unknown, the band parted ways with guitarist Jardel Paisante, and replaced him with Diego Verduzco.
Roadrunner Records released The Best of Ill Niño on September 29, 2006. The album features 13 tracks from their three Roadrunner releases. However, it was only issued in the US.
As a lead-up to their Cement Shoes debut, the band released the five-track EP The Under Cover Sessions on November 7, 2006. Three cover versions were recorded, which included Faith No More's "Zombie Eaters," Nirvana's "Territorial Pissings," and Peter Gabriel's "Red Rain." Two new tracks, "Arrastra" and "Reservation for Two," were also included. 1,300 copies were sold in its first week of release.
The band's fourth full-length album, Enigma, was due for release on October 9, 2007, but was pushed back several times, eventually being released on March 11, 2008.
Ill Niño toured Europe and the Americas in support of Enigma and in January 2009 parted ways with Cement Shoes Records. During the band's downtime, several members have established production companies to support younger artists. Dave Chavarri oversees his management company, CIA Management, while producing records for signed bands Exilia, and May The Silence Fail.
Cristian Machado and Laz Pina have worked with numerous artists/bands including ARTWORK, Iratetion, K-9 Militia, Davola, and Convictos in their New Jersey production studio, Sound Wars Studios. Ahrue Luster produces artists with his Colorado-based production company, Illustrious Productions. Meanwhile, Guitarist Diego Verduzco opened his own tattoo shop in California called Artifact Tattoo.
In March 2010, the band announced that they had inked a deal with Victory Records, would be in the studio in April, and that the album would be produced by Dave Chavarri, Cristian Machado, Laz Pina, and Ahrue Luster. Co-Production would come from Sahaj Ticotin (RA) and Clint Lowery of Sevendust. On June 2, 2010, Ill Niño released a brand new track, "Scarred (My Prison)", from their Dead New World album.
Dead New World was released on October 25, 2010. The band toured Australia in February and March, 2011 as part of the Soundwave Festival.
In February 2012 Ill Niño announced that they are preparing to enter the studio to begin laying down its sixth full-length album for a summer release via Victory Records. The recording sessions will begin next month in Hoboken, New Jersey; Austin, Texas; and Denver, Colorado.
Ill Niño frontman Cristian Machado commented: "It's 2012 and we're all still alive. It's time to redefine Latin metal."
Ill Niño drummer/founder Dave Chavarri added: "This time around, we want to explore Latin and tribal rhythms we have never explored in the past five releases, giving us no musical boundaries at all."
Ill Nino's 6th full-length studio album, "Epidemia", is slated for an October 22nd release on Victory Records. Upon unveiling the album artwork, a YouTube clip was posted, previewing a new song, titled "The Depression" off the new CD.
The band has sold over 3.3 million units worldwide; they have released 6 studio albums and 10 music videos
Still, Reborn is the next level for Trapt. Brown concludes, “Everything is new again. It’s an incredible feeling. Our fans have stuck with us since the beginning, and we really made a record for them. If the music makes them feel empowered and ready to take on their challenges, then we’ve done something right. I hope it inspires confidence and pushes them to stand up against fear or judgment. We’re proof that you should never give up.”
Trapt is currently in the studio recording their 6th album DNA and have released a song from the album called “Passenger” that embodies the more progressive side of TRAPT’s brand of hard rock as an intro to what fans can expect from the album. The band is also gearing for their summer tour dubbed the “Life In Your Own Hands” Tour. The new album DNA is shaping up to be a landmark album for TRAPT. It surpasses anything the band has done before and subsequent singles will show the true power that this band possesses. Get ready for DNA, it’s going to change everything.
What exactly is Red Dirt Metal? Take outlaw country, toss in a dash of Southern-fried classic rock and mix it with some potent Texas power grooves and you’ve got a combustible sonic cocktail on your hands.
(Hed)p.e was snatched up by Jive Records early in its career, but it wasn't until the year 2000 when they released the album "broke" that they received mainstream success. It was this album that solidified them as a mainstay in the rock and metal community.
(Hed)p.e. released its third album "Blackout" in 2003 which continues to be their most successful album to date. The group is infamous for changing the image and style of the band and music from release to release. Infusing moments of punk, metal, rap, reggae, and rock into their very eclectic yet precise sound.
Many have asked what the name (Hed) p.e. means and stands for. According to vocalist Jahred, "The name (Hed) p.e. is a name I came up with which basically means our consciousness is connected to the planet and the planet is evolving, therefore, we as her children, evolve with her. The "p.e." originally was defined as PLANETARY EVOLUTION, and sometimes morphs to PLANET EARTH and back, but both carry the same message, the (Hed) is the symbol for consciousness. WE ARE ON THE MOTHERSHIP!"
Despite many bands and peers from their genre, (Hed)p.e. has never taken a break from releasing albums and touring, which has enabled them to survive and meet with very strong independent success over the years. As a member that has been with the band from inception, bassist Mark attributes this to a passion for music and for playing in (Hed)p.e. for over 2 decades. "I moved from NewCastle England to pursue music in the United States and have never looked back." says Mark. "Our goal is to be a band that can connect with fans for decades to come, much like bands like the Rolling Stones have been able to do for over four generations of music."
Staying true to the (Hed)p.e. standard of change and growth both personally and musically, the new album "Evolution" takes the band back to their metal and underground roots they grew up on as kids. With tracks like "One More Body" and "No Tomorrow" holding down the metal and aggressive front, to the Led Zeppelin infused track "2 Many Games", this album delivers every style imaginable and even rounds the album out with three reggae inspired/infused album closers.
In a time when so many bands are playing it safe and going through the motions, whether it be out of fear of failure or lack of new ideas, (Hed)p.e. embraces change and "Evolves" with their greatest work to date.
Billboard Top 20 Country
Youtube 30,000,000 Views
Las Vegas Artist of the Year
Modesto Area Music Award
Top #10 Billboard Charts
#1 Video on CMT.com
Backwoods bravado, patriot’s pride, country soul, keg-thumping beats — these are the qualities that Moonshine Bandits have championed since they began burning up the California club circuit back in 2003.
Their message spread as they rolled from there through the heartland, the dirty South and beyond on their tour bus. No matter whether color their collar is or even if they wore a collar at all, people heard something of their story in their music — and popped back a cold one to celebrate that connection.
Plenty of their trademark sound and message resonates through Baptized In Bourbon, their new album — reverence for God and country on “Red, White & Blue Collar” (“We answered to the call when Uncle Sam cried/You know we always stand for what is right”), a celebration of backwater saloons and Saturday nights on “Stomp Like Hell” (“Before the bar doors close, I’m a-get to stepping/I’m gonna stomp like Hell just to get to Heaven”), a promise to stand firm for freedom on “Raised Up” (“If you ain’t proud of where you’re from, get the hell out of town”).
But there’s more — a new depth that encourages reflection, even hints of doubt. None of this compromises the defiant pride that’s always threaded through the songs of Bird and Tex, aka Moonshine Bandits. Still, something has changed since they released Blacked Out in 2015.
Tex knows why. “This year has been a whirlwind of touring,” he explains. “We’ll play at a bike rally in Oregon one day and then fly to Alaska. That’s had a lot of input on this album, especially on our songwriting. We’ve always been entertainers first, songwriters second. Now I feel like our songwriting has caught up to the entertainment part of who we are.”
In these past couple of years, he and his fellow bandit Bird have been in transition personally as well as artistically. They’ve gone from bus tours to jetting out for extended weekend jaunts. While playing for their die-hard, “blu-core” fans, vestiges of wilder days do appear, sometimes bringing old ways into conflict with new responsibilities.
Tex lays out the question candidly. “When we’re away from our family, is the way we’re living acceptable to God, with all the partying and crazy shit we do on the road?”
This dilemma was somewhere in whatever dream Tex was having late one night when he woke up suddenly. “Three words came to me: baptized in bourbon,” he remembers. “I texted Bird and my manager and said, ‘Hey, I don’t know what this means but it could be some pretty heavy stuff.’ The whole album started with that title.”
The Bandits and producers, Burn County, withdrew to a cabin/studio deep in a forest in the state of Washington. They talked about things they’d experienced, lessons they’d learn and questions that remained. Conversations evolved into lyrics; feelings took on musical shape; tape rolled. And after two weeks they emerged with Baptized In Bourbon, a project unlike anything they’d ever cut before.
“We didn’t sit down and say, ‘Hey, let’s do a themed album,’” Bird insists. “But the themes we were thinking of seemed to carry over song after song. It was like a circle. It wasn’t all heavy. There’s a lot of fun songs on the album too. But basically, Baptized In Bourbon isn’t just about bonfires and keg parties. There’s a lot more to it than that.”
“The Sermon” starts mournfully, with strings and a quiet acoustic guitar. Then a preacher breaks in, a beat kicks off and from the pulpit we hear the query that underlies all of Baptized In Bourbon: “In light of knowing that God is with us, and in light of knowing that He sees us always, how are we going to respond with our lives?”
The answer appears to be that you celebrate, you rock hard, you love without hesitation and fight without fear when you have to. And, if you’re Moonshine Bandits, you drive this story home with help from a gang of gifted guest artists: Crucifix on the slamming “I’m A Hellrazor,” Bubba Sparxxx on “51Fifty,” The Lacs on “Cards I Was Dealt,” Uncle Kracker on “Baptized In Bourbon,” Colt Ford and Outlaw on “Dad’s Pontoon,” Matt Borden on “Shook Me Up,” Jelly Roll on “Wild Ones” …
… and maybe most memorably, the legendary David Allan Coe. David Allan Coe has done some shows with the Bandits to rowdy audiences. Apparently he liked what he saw when Tex and Bird sent him their arrangement of his classic anthem “Take This Job And Shove It.” He volunteered to join with them in the studio and later on stage. Coe also personally called both Tex and Bird to thank them as well as tell them he enjoyed their energy-filled live show.
“I’ve always said there are three guys I wanted to work with before I quit music,” Tex says. “Two of them are dead; the third is David Allan Coe. We decided to shoot a video together at Shawshank. The night before we met in his hotel room. It was like we were old friends, listening to him talk about songwriting. The next day we went to the prison, where he had done three or four years of his life. We were kind of skeptical about what might happen because there’s a lot of emotion involved. Hell, I threw up after going into some of the cells. But he had a great time. Then that night, when we played a show in Bucyrus, Ohio, he did the song with us so we could have the footage.”
Bird smiles at the memory. “Then when we stopped the show to do it again, he gets on the microphone and starts rocking Kid Rock’s ‘Sitting Here Wasting Time.’ It was incredible to see a 77-year-old guy rap to a slow drum beat. The crowd went bonkers. I’ll never forget that. We were so proud to earn his respect.”
Baptized In Bourbon doesn’t stop there. The guys spin parallel stories on successive tracks, featuring male and female archetypes that their blu-core followers can recognize. “‘Renegade Rides Again’ says that you don’t know when the life we’re living is going to catch up with us. Then you go to ‘Hell On Heels,’ which is about some of the girls we’ve met,” Tex says, with a knowing laugh. “It’s pretty much all a true story. We don’t even embellish it. But that’s what happens when you run in this type of circle.”
This is the music that Moonshine Bandits will take on the road later this year, most likely on a bus tour this time. Maybe it’s a bit of a risk to mix the sacred and profane, the rowdy and the introspective, on record and then onstage. But the payoff here is twofold: Their music demands attention from first note to last. And because they enjoy a strong mutual trust with their fans, honesty is essential to that bond.
“I’m away from my wife and kids,” Tex sums up. “My partner has lost numerous fiancees because of this ride. Yeah, we’re out partying — not too crazy to where we’re out of control. And Bird’s dad is a preacher. So sometimes we do wonder if this lifestyle is acceptable. But this isn’t just about our lives. It’s a universal thing.”
At heart, we’re all blu-core. We all hear some of our truth in what Moonshine Bandits are throwing down. Maybe it’s time for us all to be Baptized In Bourbon.
Born in San Francisco, CA, Jay Gordon was heavily influenced by music from a young age. After playing bass for several years and working as a producer and engineer on several albums (including Coal Chamber’s self-titled album and others), Jay was introduced to four other musicians who, with him, would eventually form ORGY. After establishing themselves in the scene, the band was noticed by Korn vocalist Jonathan Davis and signed to Elementree/Reprise records.
Since 2008 Saving Abel has embodied the definition of “Southern Rock.” Even before their “Self Titled” debut LP, they were barnstorming the country making fans everywhere they went, just by being themselves. Simple, down home, charming, country-boys with immeasurable talent that was destined to take them straight to the top. The band was signed by A&R wizard Jason Flom to Capitol records and their first single, “Addicted” did just that, reaching number one on several charts and the follow-up singles “18 Days” and “Drowning” helped sell over 750,000 copies of their debut album. They toured heavily in support of this album, playing with Buckcherry and Avenged Sevenfold, and later on Nickelback, in arenas across North America. Night after night, the boys would go back to the bus with their ears ringing from 15,000 fans screaming their lyrics.
Knowing that they would need something great to follow up with, the boys set out to write their sophomore album on Capitol, “Miss America.” Topping the Active Rock and Hard Rock charts yet again with “Sex is Good” and “Stupid Girl” solidified Saving Abel’s place both on the radio and live. Setting out on their own tour this time, Saving Abel headlined theaters around the country for almost 2 years non-stop. They toured with several artists and made a lot of friends along the way, but always kept their focus on the fans, and their eyes toward the future.
Jason Flom left Capitol and the band did as well. The band signed to a new major label and the band didn’t want to fall into a rut of making the third album sound like the first two, Saving Abel returned to their Mississippi origin, adding a depth and soul that could only come from their country roots. Using banjos, mandolins, and a healthy helping of moonshine, Saving Abel went into the studio with a mission to stick with “what they know best,” and wrote an emotional, soulful record that was still rooted in rock-n-roll, but highlighted their classic country roots. Listening to “Bringing Down The Giant” was as reminiscent of Hank Williams as it was of Elvis Presley. In hindsight the album was probably a little self-indulgent and while songs like “Constantly” and “Pictures of Elvis” highlighted their softer side and amazing song writing ability, the label and band had creative differences over what to release as a first single and the label won, the result being a mildly successful rollout and the label all but abandoned the band, leaving them in the unusual predicament of not knowing what to do next.
The next steps were difficult and profound but in the end proved liberating on numerous levels. First the band parted ways with their label and publishing company, those splits were followed by a split with their management, business management and booking agent. The band then hired former Creed, Sevendust, and Paramore manager and Silent Majority Group / ADA label president Jeff Hanson. Hanson brought in new lead singer Scotty Austin and new drummer Steven Pulley, a new booking agent, fan relations manager, business manager, merch company, and radio promotion team and finally enlisted a new producer, former 12 Stones guitarist and songwriter Justin Rimer. “Bringing in new faces wasn’t done because we were unhappy with the previous team’s performance, I just felt like we should surround ourselves with people who wouldn’t be disappointed if we didn’t have a gold or platinum record. Those are benchmarks that are much more difficult to achieve than they were 5 years ago and are honestly unrealistic expectations for anyone.” Says Hanson. Hanson then helped the band form their own label in order to move forward on their own terms. The new label was named Tennessippi Whiskey Records based on the fact that the all of the members of the band are from Tennessee and Mississippi and are known for their moderate but very public Jack Daniels consumption Ditching the tour bus and getting back in a van in order to afford the recording of a new record on off days from their perpetual tour, along with a renewed focus on their live performances and spending time in person and on the internet with their fans, the band saw a resurgence in fan attendance at shows and the number of people following the band on their social media sites.
With the addition of new members Scotty Austin and Steven Pulley to the existing core of Saving Abel Jason Null, Scott Bartlett, and Eric Taylor, the result of this new lineup and independent attitude of the band has been amazing. “There is so much excitement being generated on a nightly basis by the fans based on their love of Scotty Austin, it makes it seem like it is 2008 again and we are about to blow up again, and I can’t believe this level of excitement exists all over again” says founding member and guitarist Jason Null. Null also goes on to say… “Scotty has an autistic child, and seeing the sacrifices he makes every day to make a life for his son makes it a lot easier for me to get back in a van and play smaller venues without complaining after I spent years in arenas on a bus, him being here really has changed the way all of us view what we do.” Scotty Austin… “I spent years playing cover gigs, singing 4 hours a night, this is literally a dream come true for me. Playing every night to fans that came to hear and sing along to songs that these guys and I wrote, I could never get tired of it. It also gives me a small platform to try to draw awareness to Autism, if nothing more comes of this than to make my son’s life just a tiny bit better, it will have been worth it. I can’t thank these guys enough for giving me this chance.” Steven Pulley… “Scotty and I literally quit our day jobs the day we were called about being in this band. We were blown away that a nationally recognized band like Saving Abel, who could have gotten any players in America to replace their leaving members, would actually prefer to have a couple of guys like us mainly because we were guys from a small town (Jackson, TN) with big dreams. We basically left home, went on the road, and loved every minute since. Knowing what’s coming on this record, we are definitely living a dream.”
The new songs from their forthcoming album Blood Stained Revolution mirror the new energy and attitude of the band. The songs themselves are mostly uptempo and upbeat and pay homage to all of the bands we love, Guns and Roses, Tool, and The Allman Brothers. The album is absolutely a continuation of founding member Jason Null’s mainstream southern rock hit writing abilities but with an amazing added energy similar to that of Mick Jagger or Scott Weiland being provided by Scotty Austin. The band is also eager to note that the new album is the first album on which all of the band members were able to participate in the creative process. On the first three albums the creative process was partially controlled by outside factors but on this album it seemed as though the floodgates were open because there were no limitations or interferences and everyone in the band was asked to contribute the ideas that had been percolating among the members for years that they hadn’t always been able to share. Jeff Hanson says… “ I am a huge southern rock fan and Scott Bartlett’s solo album and the Trash the Brand album, Scotty Austin and Steven Pulley’s previous band together, are two of my favorite albums, so having them contribute to the song writing on this album has made a huge difference and in my mind sets it apart from previous Saving Abel records. The fact that there were no time constraints this time and the record was basically written on the road seems to have allowed the band to write when they wanted to as opposed to writing when they had to. It’s fun not forced.”
The upcoming release will be released on November 11, the date was aptly chosen because by the band because it is Veteran’s Day. Individually and collectively Saving Abel and its members have always been incredible supporters of the amazing men and women in the US Armed Forces. “18 Days,” “Drowning", and “Miss America” were all written and dedicated to the US Military. Since 2009, Saving Abel has had the honor of being invited and traveling to play for the troops in some of the most remote and dangerous places in the world. …Iraq, Qatar, Cuba, Japan, and India just to name a few. No matter where they are or what they are doing, no matter if it’s 5 minutes to show time, the boys in Saving Abel will ALWAYS stop what they are doing to acknowledge and thank a Soldier, Sailor, Airman or Marine. Scott Bartlett states “ It’s amazing that we now feel unencumbered by the confines of the traditional music business to the point that we can release our album on a date of our choosing, We were actually told that we were crazy to be releasing a new record in the 4th quarter, but it is actually a statement for us, to release this album on our own terms, when we want and how we want. At the end of the day all that matters is our music and our fans and what time of year it is isn’t really a part of that equation. We’re celebrating Veteran’s Day with a new record and that’s awesome!”
Saving Abel has no plans to slow down and has dates booked into 2015 and further. The band is still in the van and is starting a “Pledge Music” campaign to try to auction off some unique and special VIP experiences in order to be able to get back in a bus again. With the pre sale of the new album, the band will be offering additional add on packages that include fishing and BBQs with the band, guitar lessons, and to allowing fans to perform on their next record.” It’s all about finding that balance between enjoying your fans, family and friends and having a business that allows you to play music for a living, if we can go fishing and have meals with our fans and it helps us be able to stay on the road, we’re all for that, hopefully we can do this forever” says bassist Eric Taylor.
Crazy Town was founded in 1995
Seth "Shifty Shellshock" Binzer (vocals)
Bret "Epic" Mazur (vocals)
Doug "Faydoedelay" Miller (bass)
Rust Epique (guitar)
Antonio Lorenzo "Trouble" Valli (guitar)
Adam "DJ AM" Goldstein (dj)
James "JBJ" Bradley Jr. (drums)
To hear the soundtrack running through Hugo Ferreira’s head, just listen to the 13 songs on the new Tantric album. With more than 50 minutes of visceral, diverse rock, 37 Channels musically mines the soul of the Tantric singer, letting listeners inside the band’s most personal and evocative album to date—and that’s saying something for a platinum-selling group with hit singles including ‘Breakdown” and “Down and Out.” Of heady new songs like “Loss for Words,” “Where Do We Go From Here?” and “Broken,” Ferreira explains with a laugh: “I can’t afford a therapist, so this is what I do. I regurgitate all my angst and pain and confusion and joy. I’m showing more, letting people into my brain and heart.”
Helping give life to 37 Channels are an impressive list of players and friends, including Shooter Jennings (on the quirky “Mosquita”); Leif Garrett, bluesy rhythm guitarist Kenny Olson (Kid Rock); Hinder singer Austin Winkler (co-vocals to “Fault” and “Bullet”); Saving Abel guitarist Scott Bartlett, Uncle Kracker axeman Kevin McCreery; and drummer Greg Upchurch (3 Doors Down). But make no mistake; if Ferreira is the only original member, 37 Channels is still very much a Tantric record: “It’s always been my baby, I’m still the guy who co-founded the band back in Louisville,” he explains. “I’ve had different incarnations throughout the years, and the sounds have changed with the different players, but his is the most “Tantric” Tantric record so far. I even did my own harmony vocals. The whole album is very articulate to what I wanted it to sound like.” While the record’s guest list is impressive, the big names are tasteful additions, not flashy add-ons. Ferreira puts it more bluntly: “I didn’t let people jerk off all over this record! I’m very protective of it. I used to let things go, but I literally oversaw every aspect of 37 Channels.”
That included writing 116 songs, recording 19, and in order to create the uncompromised music he heard in his head, playing all the instruments himself on initial versions of the songs. When he was happy with a tune, he’d then enlist the players to execute it best. “I’m a good guitar player, I'm a great piano player, I’m an ok drummer and I’m a good bass player,” he relates. “But I’m really more of a songwriter and singer than anything.” Producing the record himself (in addition to doing one song with Fuel/Collective Soul producer Malcolm Springer) Ferreira tracked 37 Channels at Nashville’s Rivergate Studios. “It was great after spending two and a half years writing at home.” Of that lengthy songwriting process, the frontman explains, “Even if a song isn’t about something that happened to me, whether it’s me thinking about that poor guy who just walked by looked hungry or whatever, I’m always cognitively thinking. My head doesn’t have a shut off switch, and the record reflects that in all the different subject matter. ‘Mosquita’ has a comical undertone, but ‘You Got What You Wanted’ and ‘Loss for Words’ are very serious songs—and they’re interconnected.”
The album title, as might be clear, references the myriad of topics playing in the singer’s mind at any given time, and comes from a lyric in the song “Rise.” “I’m the poster child for ADD,” he says, “but. I choose not to medicate for that. I’m super hyper, and when people meet me, they’re like “there are a lot of tangents on this kid!’ Or, as he also analogizes: “There are a lot of branches in this tree, and I hop from one to another a lot. The only time I can focus is when I’m in the studio and I’m by myself, with a little bottle of vodka and a pack of cigarettes.”
Despite the sometimes-painful lyrical content, 37 Channels is often a fun record, especially on tracks like “Mosquita” and ‘My Turn,’ where Ferreira, who calls himself “the antithesis of a rock star!” has a blast randomly ranting and raving. Looking back at the last several years of work that led up to 37 Channels and a new record deal for Tantric, he doesn’t regret the time taken, nor place in the current music milieu. He believes this new record has taken—and needed--his lifetime to write: “There are bits and pieces of my entire life in this record, so it really did take my whole life, and that’s why it can only be written and recorded in this way.”
As 37 Channels makes clear, Tantric is a career band at the peak of its powers, as will be borne out by a tour later this year. While there’s diversity within and among the records, the signature Ferreira vocals and sensibilities shine through. As he concludes, “I consider Tantric a boat that I float in—it’s a vessel that carries the music. So I never feel restrictions. It doesn’t have any rules. Tantric music can be super-heavy, light--or both It’s really an open book with no ending in sight.”
This has certainly been the case for Louisville, KY-based metal band FLAW. The band has seen multiple line-up changes over the years, however the core of Chris Volz (vocals) and Jason Daunt (guitar) remain as the creative driving force of poised to re-emerge on the strength of their finest set of recordings to date. The band has signed a deal with Pavement Entertainment, and is set to release Divided We Fall on August 19, 2016.
FLAW’s story began with the independent release of home-grown albums American Arrogance (1996), Flaw (1998) and Drama (2000). It was the songs on these recordings that garnered the attention of Universal Republic Records, who signed the band and released the break-through Through The Eyes in 2001. The offering topped the Billboard "Heatseekers" chart, largely fueled by the singles "Payback" and "Whole." The band then followed-up with an album entitled Endangered Species via Republic in 2004, but soon thereafter the band went through personnel changes and ended their relationship with the label. The band’s tumultuous relationship with themselves, and their label, were reflected in their songs. It was the life and energy captured in these songs that propelled the band forward. It was always FLAW fans’ connection to their songs that carried the band on. “We would not be where we are today without our hardcore fans,” says Volz. “The Flaw Family is the backbone of everything we do, and we cannot wait to get out and tour in support of this new record”.
FLAW a band that is re-emerging on the strength of renewed focus and energy, and that energy is captured on the lead single from “Divided We Fall”, a song called “Live and Breathe” that is a vessel of raw human experience and emotion. The band has waited 12 years to release a proper album, to rally and come together. They trust that together, FLAW can accomplish great things, and their fans are poised and ready to answer the call.
Equipped with catchy hooks and relatable rap verses, she is the top voted unsigned artist in her home state on MTV2’s “On The Rise” contest and has been interviewed and played on numerous independent, college, and online radio stations. With no label or management, the rapper has also landed various TV spots, swept the pages of multiple magazines and music blogs internationally, as well as accumulated over 1 Million+ total YouTube views on her channel.
With an undeniable stage presence, W.P. has headlined countless packed events as well as performed with well-known acts including Jadakiss, Juelz Santana, Jim Jones, Sheek Louch, Hopsin, Rittz, Big K.R.I.T., MIMS, Tech N9ne, Paul Wall, Vanilla Ice, TWIZTID, R.A. the Rugged Man, DMX, and many more! She has collaborated on songs with Bizarre (of D12), Cassidy, Da Mafia 6ix (formerly Three 6 Mafia), WAX, MIMS, Daddy X and Dirtball (of Kottonmouth Kings), Caskey (YMCMB), Layzie Bone (of Bone Thugs N Harmony), Spectacular (of Pretty Ricky), Mistah F.A.B., Spice 1, Chris Webby, R.A. The Rugged Man, and the list goes on!
Despite her edgy image and attitude, Whitney was chosen to be one of the faces of Philadelphia’s “Unlitter Us” Campaign in 2010. TV spots for the campaign aired city-wide (and in surrounding areas) through 2011 on stations such as MTV, BET, Vh1, Comedy Central, ABC, and NBC. Whitney was featured using her rap ability in a spoken word poem she wrote about cleaning up the city streets. She also appeared in print and transportation ads, while additionally being seen alongside Philadelphia Mayor Michael Nutter at anti-litter rallies, and community events. urther proving her versatility as an artist, W.P. took part in writing and recording on an Anti-Bullying album geared toward Children in late 2011. The album gained immediate recognition winning a Grammy Award for “Best Children’s Album” at the 54th annual Grammy Awards in 2012 as well as a Nappa Honors Award, and Parent’s Choice Gold Award from the Parent’s ChoiceFoundation.
Whitney’s perseverance, and rapidly growing fan base earned her spots on both a full Canadian tour with Twiztid as well as a 40-date USA tour with rap legend, R.A. The Rugged Man (of Nature Sounds), and Potluck (of Suburban Noize) in 2013. In 2014 she continued her momentum on a 60-date National Tour with Oscar Winning rap group Three 6 Mafia (now known as Da Mafia 6ix) followed by a run as direct support for highly controversial electronica group Blood on the Dance Floor. Never missing a beat, Whitney Peyton is taking 2015 by storm by headlining her own touring dates while working on new music and visuals.
Despite her many hard-earned accolades W.P. still considers herself an “Underdog” in many ways. Having achieved so much independently, with an image not easily associated with hip-hop, it’s easy to tell that her fans appreciate her home-grown attitude and “Team Underdog” movement. After releasing several free EP’s she dropped what she considers her debut album, “On The Brink” last year (Jan. 2014). “On the Brink” features well-known acts from both the mainstream and underground and sold several thousand units worldwide with no official distribution! As a gift to her fans W.P. released a free EP entitled “Fear of Falling” this past March 2015 as an appetizer for a full-length album set to release later this year. If this biography is your first time seeing the name “Whitney Peyton” keep your eyes open because it won’t be the last.
It’s been nearly a decade-long road for Almost Kings, and the band continues to persevere, put out new music, and bring their energetic live show from city to city. Hailing from the dirty south rock clubs of Atlanta, GA, Almost Kings hit the road in 2008 and never looked back. Supporting groups like Rehab, Framing Hanley, and Sevendust through their early releases (“Filthy Nice”, 2009 & “Club Rock”, 2011), AK managed to build a loyal underground following throughout the southeast, up the eastern seaboard, and beyond.
In February 2012, Almost Kings found themselves performing as part of The Grammys in Los Angeles – due to a fan submitting the band into a fan voting-based, CBS-sponsored contest. AK humbly finished the contest on top of 916 acts from around the U.S., and became the first unsigned band to perform as part of the Grammy’s event. Upon their return to Atlanta, the band performed a hometown show to a nearly 3,000-person crowd - numbers not seen often by an unsigned act with minimal radio play.
Almost Kings continued to play 200+ shows each year in 2012, 2013, and 2014, opening for acts ranging from Avenged Sevenfold to Yelawolf to Machine Gun Kelly to Periphery. AK performed at festivals such as Rock USA (2013, 2014), Florida Music Festival (2011, 2012, 2014), Common Ground (2014), Bayfest (2011), Uproar (select 2012 dates), and many more.
“Hear Me Out” was released in summer 2013 and was received extremely well by the fans. Singles like “Shadows” and “Hold On Me” received high view numbers on YouTube and caught occasional radio play. In summer 2014, Almost Kings found themselves at the top of yet another national fan voting-based contest, this time sponsored by ESPN, and the band performed at the X-Games in Austin, TX with Kanye West, Bad Religion, Slightly Stoopid, and Mac Miller. 2014 came to a close with a nearly sold out nationwide House Of Blues tour supporting Bone Thugs n Harmony.
In 2015, Almost Kings hit the studio with Grammy nominated producers Willie Baker and Pete Woodruff, cranking out four tracks to kickstart a new album. Throughout the year, the band finished the album with producer Adam Palka between Atlanta and Detroit. “The Reintroduction” was released on January 26, 2016, and is receiving extremely positive feedback from longtime fans as well as new ones. It is being recognized as AK’s “most mature release to date”, as well as “brutally honest & relatable, lyrically.”
Almost Kings is not signed to a record label, and continues to grind independently. Says guitarist Ryan Yunker, “We are not opposed to getting signed. If the right opportunity comes along that makes sense, we’re open to it. However, until it does, we can and will continue to keep our train rolling forward.” Almost Kings has an undeniable deep resume full of accomplishments, memories, near-death experiences, stories, and more. And they don’t plan on quitting.
LNV formed in the winter of 2016 and over its short time has set out with a goal to organize a band that would be committed to contributing to high levels of quality performances, song writing and recording abilities. Professionalism, personality and originality were the pre-requisites for the job.
LNV is a new band but all of its members are veterans of the music scene with well over 25 years’ experience. LNV consists of Andy Henson on lead vocals, Wayne East on guitar, Gary Watlington on guitar, Gary Jordan on bass, and “Morty” Jeff Mortimer on drums. With the line-up in place at the end of spring of 2016...completes a line-up that brings the good times, enthusiasm, experience and everything else that makes up Last Night’s Villain.
4009 Murray Pl.
Lynchburg, VA, 24501